青山学院大学図書館

Propaganda in Paradise Lost : Satan's Sophistic Ars Rhetorica of Antonomasia

Tatsuno, Ryujiro, Issued : 2024.03.31, 論集/青山学院大学大学院文学研究科英米文学専攻 <TF01331964>
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コレクションコード 紀要論文
コレクションコード 論集/青山学院大学大学院文学研究科英米文学専攻
コレクションコード 48
ソースレコードID AN1013558X
タイトル Propaganda in Paradise Lost : Satan's Sophistic Ars Rhetorica of Antonomasia
タイトル(その他) 『パラダイス・ロスト』におけるプロパガンダ : サタンの詭弁論的換称の修辞学的手口について
タイトル(その他) 『パラダイス・ロスト』 ニオケル プロパガンダ : サタン ノ キベンロンテキ カンショウ ノ シュウジガクテキ テグチ ニツイテ
作成者 龍野, 隆治郎
タツノ, リュウジロウ
Tatsuno, Ryujiro
出版者 青山学院大学大学院文学研究科英米文学専攻院生会
出版者 アオヤマ ガクイン ダイガク ダイガクイン ブンガク ケンキュウカ エイベイ ブンガク センコウ インセイカイ
NCID AN1013558X
ISSN(プリント) 0289792X
DOI URL https://doi.org/10.34321/23117
収録物名 論集/青山学院大学大学院文学研究科英米文学専攻
収録物名 ロンシュウ
収録物名 Aoyama Gakuin University English studies
巻次等 48
開始ページ 17
終了ページ 51
日付 Issued : 2024.03.31
主題 Other-en:John Milton
主題 Other-en:Paradise Lost
主題 Other-en:Aristotle
主題 Other-en:rhetoric
主題 Other-en:Propaganda
主題 Other-en:Antonomasia
内容記述 This treatise explores the profound intertextuality between John Milton's Paradise Lost and The Iliad (Ἰλιάς) of Homer (Ὅμηρος), revealing shared thematic elements such as tragic narratives, the intricate ramifications of hamartia or disobedience, and characters propelled by a poignant sense of injured merit. The analysis delves into his diction, adeptly incorporating classical rhetorical discourse and dialogic elements into seamlessly lyrical styles. The comparative framework identifies a resonant echo akin to Achilles' Wrath, in the central conflict of Paradise Lost, wherein Satan's discord with God mirrors a metaphorical declaration of war. The study dissects Aristotle's perspective on the efficacious use of emotions in rhetoric, highlighting parallels between the two epics and their emotive appeals to audiences, which draws insightful connections between Achilles' Wrath and Satan's propagandistic manifestations, particularly in the strategic employment of “Name-Calling" to denigrate opponents. Dissection of Satan's propaganda unveils the adroit utilization of rhetorical stratagems theory, including intricate inquiries, rhymes, and crafting discourse that resonates eruditely with nuanced affective dimensions. Satan's appropriation of symbols and authority from the Bible positions him as a messianic figure advocating a distorted form of holy war, reminiscent of the concept of “jihadism" elucidated by historical propaganda theories of Anne Morelli. Furthermore, Satan's propaganda adeptly exploits the “Glittering Generalities" technique, associating his cause with virtuous ideals, thereby enshrouding his genuine motives. The examination also scrutinizes Satan's adept use of “the Granfalloon Technique," cultivating a strong sense of solidarity among his followers by crafting an artificial collective identity and purpose. In conclusion, this monograph inspects Satan's sophisticated manipulation of language, portraying his rebellion as an ostensibly noble cause, drawing astute parallels between his propagandist tactics and the enduring principles underpinning war propaganda. The elevated interplay of rhetoric, propaganda, and identity formation in Paradise Lost reflects Milton's profound insight into these complex psychological and socio-political dynamics.
資源タイプ departmental bulletin paper
資料種別(NIIタイプ) 紀要論文
物理的形態 PDFファイル
アクセス権 open access